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Photographer Statement
Cinzia Canneri has a degree in psychology and in photography at the Marangoni Foundation of Florence; she later made a masterclass in photojournalism in Rome. Her interest is focused on social reportage that deals with trying to find the incidence of uneasiness or resilience behaviour in the intimacy life of people or community.
Her pictures have appeared in some magazines as Espresso, Millennium, Mind, Lens New York Times, Days Japan, 6mois, L'Obs, XLSemanal and Aftenposten. Among her awards is the Prize for Canon Young Photographers, a scholarship for the Marangoni Foundation, POY (2016) Award of excellence in category Science and Natural History Picture Story, Umbria World Fest (2017) First award, Poy (2022) First place in category Issue Reporting Story.
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mobile:+393358330978
email: cinziacanneri@hotmail.com
www.cinziacanneri.com
https://www.facebook.com/cinzia.canneri/
https://www.instagram.com/cinzia.canneri/
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2023 ZEKE Award: First Place for Documentary Photography
Women's Body as Battlefield
Photographer: cinzia canneri
2023 ZEKE Award: First Place for Documentary Photography
Exhibit Title: Women's Body as Battlefield
Location: Ethiopia
The targeting of women’s bodies in times of war, but also of peace, has come to light as a systematic strategy which has been used by different actors in many different contexts worldwide.
This project has analyzed the condition of Eritrean and Tigrinya women who moved across the borders of three countries geopolitically linked to one-another: Eritrea, Ethiopia and Sudan.
From 2017 to 2019 the work has documented Eritrean women fleeing from one of the most repressive regimes in the world and seeking refuge in Ethiopia.
From 4 November 2020, following the invasion of Tigray (Ethiopia) by the Ethiopian federal army supported by the Eritrean military forces and Amhara militia, the project’s focus has broadened to include also the Tigrinya women, who joined Eritrean women in their escape from Ethiopia to Sudan.
In Tigray the Eritrean army used sexual violence as a weapon of war against both Eritrean and Tigrinya women: to punish those fleeing their country in the former case, and as an act of extermination in the latter.
The body of women became a battlefield on which there were no sides.
Cinzia Canneri has a degree in psychology and in photography at the Marangoni Foundation of Florence; she later made a masterclass in photojournalism in Rome. Her interest is focused on social reportage that deals with trying to find the incidence of uneasiness or resilience behaviour in the intimacy life of people or community.
Her pictures have appeared in some magazines as Espresso, Millennium, Mind, Lens New York Times, Days Japan, 6mois, L'Obs, XLSemanal and Aftenposten. Among her awards is the Prize for Canon Young Photographers, a scholarship for the Marangoni Foundation, POY (2016) Award of excellence in category Science and Natural History Picture Story, Umbria World Fest (2017) First award, Poy (2022) First place in category Issue Reporting Story.
mobile:+393358330978
email: cinziacanneri@hotmail.com
www.cinziacanneri.com
https://www.facebook.com/cinzia.canneri/
https://www.instagram.com/cinzia.canneri/
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