
The formats of the exhibited pictures are 110 cm x 130 cm [43,3 x 51,2 inches] or 175 cm x 230 cm (diptych) [68,9 x 90,6 inches].
The images are archival pigment prints on cotton rag paper and are presented unframed and mounted on the wall cartographylike with clamps.


Documentary Photography implies after all that these photographs maintain a particularly close affinity with the realities of a place. Photographers are thus ascribed the intention to strictly record and reflect with their photographs that what any other could equally encounter and to refrain from interpretation.
The aim is to produce undecidability expressing that agreements about the characteristics of a place should always be contrasted with competing alternatives. Rather than plain recording the photographs seem to hide something, instead of impartial enlightenment questions arise. In the digital period, where reality and virtuality intersect, it is particularly the query of construction and deconstruction of reality: How real is this reality and how authentic are the ways of showing it?

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